George Crotty Trio (Canada)

Nederlands onderaan George Crotty has forged his own exciting vocabulary pushing the boundaries of the cello. Versed in many styles, his inquisitive eclecticism draws on diverse influences within jazz and global music including modal jazz, Indian Raga, and Arabic Maqam. Crotty’s modernist genre-bending is heavily influenced by his hometown of Toronto’s vibrant pluralism, and further illuminated by John Murchison (bass) and Jeremy Smith (percussion). Their cross-cultural interplay deviates from a trio’s typical hierarchy in an exploration of groove and colour, lending Crotty’s tunes an exciting three- dimensional quality. To quote Whole Note Magazine , “…the music certainly plays like a showcase of the cello’s capabilities…Crotty’s virtuosity and melodicism undeniably take center stage…” About their 2022 release, “Chronotope”, All About Jazz wrote: “Cellist George Crotty excels at blending various elements into a unique musical brew. On Chronotope , a cross-cultural mix of South American, Arabic, Indian, and contemporary jazz idioms amount to a stream of genre- blurring invention.” The GC3 has performed at the 21C Festival , Small World Music Festival , Copenhagen Vinterjazz Festival , and the New Directions Cello Festival . They have toured internationally in cities such as Toronto, Montreal, New York, Chicago, London, and Berlin George Crotty Trio Heart Music Press Quotes From the first note to the last, and even in the design of the album’s cover, everything feels meticulously considered. There is no flamboyance here, no attempt to dazzle through excess. And perhaps that is precisely why this album is so affecting: because it radiates sincerity. Because it reflects the kind of artistic honesty that refuses to shout, choosing instead to speak clearly, beautifully, and with purpose. Thierry de Clemensat – Paris Move Here’s a trio producing artistry that registers as experimental at first, but upon repeated exposure, finds new angles in familiar spaces. Jamie Lee Rake – Shepherd Express Music like no other, whether in jazz, classical, or world folk. Recommended. Frédéric Cardin – Pan M 360 This is a curiously-compelling album that doesn’t sound like anything else, which makes it special. David Reed – Belleville Intelligencer This is a new type of contemporary jazz… you will enjoy this creative wedding of new music, a merger of contemporary jazz experimentation, world music, and creative compositions. Dee Dee McNeil – Making a Scene Elements of European jazz, Hindustani raga, and contemporary chamber music combine in this extraordinary fusion of rhythm, improvisation, and creative passion. Midwest Book Review Crotty’s broody bowing teamed with Smith take you to India on the raga of “Bandish” while his pizzicato’d pickings dance over to West Africa on the celebrative “Heart Music”. Smith leads into the graceful Israeli pulse of “Niggun” with Crotty sounding almost cantorial in his playing, while Mediterranean and Byzantine worlds are explored on the Aegean “The Taske At Hand”. Even America’s Midwest is on the map, with some lyrical Coplandesque ideas on “Cigarettes at Sunrise”. A map of music. George W. Harris – Jazz Weekly GC Trio Press – Chronotope “George Crotty fearlessly takes the cello into uncharted waters. The Berklee trained, Toronto-based cellist, composer and bandleader has forged his own style, one that incorporates jazz, rock, classical and particularly world fusion.” – Something Else! https://somethingelsereviews.com/2022/07/13/george-crotty-trio-chronotope-2022/ “Although not as radical as some string sessions, both discs [Erik Friendlander’s ‘A Queens’ Firefly’ and George Crotty’s ‘Chrontope’] are part of the contemporary Jazz locus… Crotty sounds as if he’s channeling violinist Jean-Luc Ponty,” Jazz Word http://www.jazzword.com/one-review/?id=131092 “Cellist George Crotty excels at blending various elements into a unique musical brew. On ‘ Chronotope’ , a cross-cultural mix of South American, Arabic, Indian, and